| Image-based Research |

Image Panels


2024 
Panels 01 - 07
‘Panel 1  Squashed, Changed, Phase-shift, Transport’ from the 7 part series ‘Panels’ 2024
Inkjet prints on black wallboard 200 x 100 cm
including images from: 

Maria Bartuszová - untitled 1986, Tate, London

Anonymous - untitled 1615-1625, Galleria degli Uffizi, Florence

Gabriel Orozco - My Hands Are My Heart  1991

Christopher Herwig - Kupiskis Lithuania, 2015
‘Panel 2 - Dream Space, Stage, Personification, Portal’ from the 7 part series ‘Panels’ 2024
Inkjet prints on black wallboard 200 x 100 cm
including images from: 

Urs Fischer - Untitled (Grave) 2007, Sadie Coles HQ, London.
‘Panel 3 - Vacated, Membrane, Skin, Inside, Outside‘ from the 7 part series ‘Panels’ 2024
Inkjet prints on black wallboard 200 x 100 cm
including images from: 

Urs Fischer - How to Tell a Joke 2007

Heidi Butcher - Skin Room 1987. Migros Museum Für Gegenwarts Kunst, Zürich.

‘Panel 4 - In Limbo, Stuck, Fragmented, Preserved, Sterile, Waiting‘ from the 7 part series ‘Panels’ 2024
Inkjet prints on black wallboard 200 x 100 cm
including images from: 

Richard Wentworth - Making Do and Getting By, 1999, London

Issy Wood - Self Portrait 6, 2021, NPG, London

Christopher Herwig - Soviet Bus Stops, 2015, pg172, Latvia

Thomas Thwaites - The Toaster Project, 2007, V&A London



‘Panel 5 -Debris, Rubble, Sediment, Deconstructed‘ from the 7 part series ‘Panels’ 2024
Inkjet prints on black wallboard 200 x 100 cm
including images from:

Shao Fan - Project No.1 of the Year (2004) Chair, V&A, London.

Poetry written on top of pg.3 of Soviet Bus stops by Christopher Herwig (2015).

Heather and Ivan Morison - Journee des Barricades 2008, Wellington, New Zealand.





‘Panel 6 - Static, light, emitting, receiving‘  from the 7 part series ‘Panels’ 2024
Inkjet prints on black wallboard 200 x 100 cm
including images from:

Photograph of a Catholic ceremony screening at the V&A, 2024

NASA - Carl Sagan with the Viking Lander, California

Doug Aitken - Untitled (Shopping Cart) 2000, New York

Dóra Maurer - Sluices 4, 1980-81, Tate

Rirkrit Tiravanija - 1990, MOMA


‘Panel 7 - Cumulative, Repetition, Growth, Multiple, Mother‘  from the 7 part series ‘Panels’ 2024
Inkjet prints on black wallboard 200 x 100 cm
including images from:

Unknown Artist - The Cholmondley Ladies c.1600-10, Britain

Unknown Artist - Madonna della Misericordia c.1390-1420, Florence Italy


 The panels presented left use personal image repositories to respond to image-theory emerging from Aby Warburg’s ‘Bilderatlas Mnemosyne’ in  1927.

The transformative value of Warburg‘s Mnemosyne panels, is in their consideration of image physicality. It is by bringing images together on a shared surface that new dialogue, somewhere between reality and fiction is opened, creating a space for visual art installations and photographic works as quasi-objects. Within these spaces open new possibilities for image interrogation and extraction of visual stories which resonate through time.

The imitation panels (1-7 left) are double sided, with images folding across faces, allowing them to be passed between hands and turned over. The physicality of the images in these pieces is celebrated by surfaces that are freely touched, manipulated and carried around.
 





Further Works
‘Prescribed’ images adhered to faces of pharmaceutical prescription box, 6 x 4 x 3 cm



‘Prescribed’ displayed on hand 6 x 4 x 3 cm





‘Untitled’ Multifaced image display panels.
Left: 30 x 6 x 2 cm. Right: 21 x 10 x 4 cm.
wood, metal, cardboard and inkjet prints
Essay

‘The Reproduced Image’ pg. 01 - 07 
2024